Under the Covers with Victoria Shaw
April Guests: Richie McDonald of Lone Star & Colm Kirwin
Hosted by Victoria Shaw, Under The Covers has become a recurring highlight at the legendary Birdland Jazz Club in New York City and at Merrimack Hall, featuring a wide variety of top-selling songwriters and musical acts from across the pop, rock and country worlds, and offering intimate acoustic performances of huge hit songs — along with the little-known stories behind them. You never know who may show up to join Victoria Under the Covers! Past guest artists to appear at Merrimack Hall with Victoria include Robin Meade, Billy Dean, Mark Hudson, Gary Burr and Jim Brickman.
Responsible for over 65 million album sales, she is best-known as the writer of “The River,” one of Garth Brooks’s biggest hits, as well as “I Love The Way You Love Me,” recorded by John Michael Montgomery, and “Nobody Wants To Be Lonely,” performed by Ricky Martin and Christina Aguilera. Recently, she co-produced the debut album of superstar Grammy-winning country trio Lady Antebellum. Her songs have been recorded by such major stars as Olivia Newton John, Boyzone, Faith Hill, LeAnn Rimes, Reba McEntire, Billy Ray Cyrus, and Michael McDonald.
April Special Guests
Richie McDonald has long been one of music's most accomplished and wide-ranging talents. Recognized as one of country's best singers, he was the face and voice of Lonestar, ranked among the genre's preeminent groups. A polished and engaging entertainer, he was the focal point of the group's storied touring career. As one of the industry's most successful songwriters, he has penned some of the era's most memorable songs and earned a mantle full of awards and nominations.
Now, with the upcoming release of “Slowdown,” he launches his much-anticipated solo career and demonstrates that he is just now hitting stride.
“We had a great run and made a lot of wonderful memories,” he says, “but I feel like I'm doing what I'm supposed to be doing now. This feels right in my heart.”
Richie’s new album project, which spotlights both McDonald's legendary way with a big ballad and his ability to relay the magic of family life, was released in January of 2011.
The list of accomplishments McDonald brings to his solo career is among music's most noteworthy. His was the voice behind songs like "Amazed," "Smile" and "No News" and the pen behind songs like "My Front Porch Looking In" and "Let Them Be Little." He has earned six gold and platinum albums, several CMA and ACM awards as well as BMI awards for songwriting. In writing and singing "I'm Already There," he was responsible for a song embraced so warmly by the military and their families it became an unofficial anthem for U.S. troops serving the Middle East.
"That has to be the most rewarding part about writing songs," he says, "when you can actually see the effect it has had on other people's lives."
He has also written songs recorded by John Michael Montgomery, Clay Walker, Billy Dean, Sara Evans and the Wilkinsons, among others. His decision to launch a solo career came after a great deal of reflection.
"I just reached a crossroads in my personal and professional life," he says. "When our deal ended, I felt like it was a sign for me to do other things, to slow down and spend more time with my family and yet keep being an artist, hopefully making music that can really make a difference in people's lives."
He released a Christian record ("something I always wanted to do and another side of me the fans get to hear") before beginning his current project. He is still embracing as strongly as ever the wide-ranging nature of his musical talents.
"Songwriting, recording and live performance are all connected for me," he says. "My passion is writing, but when I write a song and get to record it myself, it means that much more to me because then I get to perform it. I think they're all intertwined and I don't think I could do one without the other. Still, I feel like it all starts with the song, and the rest will take care of itself."
At this point, he is promoting his new music with renewed energy.
"Nobody said it was going to be easy," he says with a characteristic smile. "It wasn't easy the first time around. I feel like I'm a new artist, like I have to prove myself and that's what I'm doing. I think the great thing is I do have relationships I've built over the years. It's nice to go into a radio station and see familiar faces and not feel like a total stranger."
He is renewing those relationships as an artist extending his impact on the musical genre he loves, and a family man deepening his ties at home. "This is a new chapter in my life," he says. "Included in that is trying to be a little more creative in how I spend time with my family and watch my children grow up. They're at ages where it's really important to me."
As he carves out the proper balance between home and road, he is looking forward to the joys and thrills of that connection with his audience. "I want to be back out there in front of thousands of screaming people, seeing them sing the songs back."
It's a thrill that never gets old for any performer, and for Richie McDonald, it is one he can see both through his windshield and in his rear-view mirror. "I'm grateful every day," he says, "for the chance to continue to do something I love so much."
Colm Kirwin Hailing from the small Northern Ireland town of Omagh, Colm Kirwan wasn’t sure exactly what to expect when he moved to Nashville, Tennessee in 2009. He only had two goals in mind—creating his own unique sound as an artist and becoming a great songwriter.
For Colm, the road to Nashville and the creation of the album, a contemporary country collection with a Celtic flair, was filled with twists and turns. At 18, he left his small hometown for London, where he studied musical theatre performance for three years before hitting the road as an apostle in Andrew Lloyd Webber’s Jesus Christ Superstar. The rock opera gave him a taste for the stage that only grew when he left the production to tour with his dad, hit recording artist Dominic Kirwan, on a seven-week tour.
“I remember the first time I ever stood on stage with my dad to a sold-out theatre in Belfast,” Colm says. “To me, that’s where I belong. It just felt right—it always has. If there’s one place I’m totally comfortable, it’s on stage.”
The tour was his chance to finally perform the type of music he grew up loving—country. After three years of touring with his dad, Colm came to Nashville at the suggestion of a friend who had spotted his raw talent for songwriting. Ever since, he has honed his uncanny sound and songwriting ability, culminating in the creation of his first album, produced by Victoria Shaw.
Since April 2012 Colm has toured all across the USA, United Kingdom and Ireland as the opening act for legendary artist 'Don Williams' and is currently still on the road with Don. Colm said "it has been a hugely humbling experience to tour and open for Don, one that I will cherish my whole career."
Colm’s objective for the album and the tour is simple—to continue creating the music in his head, sifting through the ideas until they come together to create his signature country Celtic Country sound.